It originated from a comment from Ann Haines (then President of the Hahndorf Community Assoc) to Andrew Rammell, “ Hahndorf needs a Voice” and so the Hahndorf Village Voice was born - whereupon Ann, Sonia Hunter from Main Street and Andrew set to work! Andrew’s background is graphic design and photography and he gallantly designed the first newsletter (including titles and layout), with Ann as Editor and others writing articles and collecting photographs. The Village Voice was first published in Autumn 2005 and is edited and distributed quarterly by volunteers to all Hahndorf residents and traders. Issue No 40 of the Village Voice (Summer Edition 2014) completed 10 years of continuous publication of the Hahndorf Community Newsletter. The Voice of the Village celebrates 10 years!Įxtract from Issue No 40 of The Hahndorf Village Voice - Summer Edition 2014 Please forward comments and articles by email to: or.The Editors can be contacted as follows: Nadia Fountas (mob 0401 881 730). Advertising details and rates can be obtained by contacting the Editor/s. Any submissions after that date cannot be guaranteed to be included in the next edition.
The village very village voicey free#
Hahndorf Village Voice was first published in Autumn 2005 and is edited and distributed by volunteers to all residents and traders in Hahndorf free of cost.Īny advertising, comments and future articles for inclusion in this publication are most welcome and should be sent to the Editors at least 3 weeks prior to the next publication date. “The Voice may be bigger than print and ink or any owner, editor, medium, or era, but this paper belonged to New York, and the people who have worked for it have served both the Voice and the city in exemplary fashion.Hahndorf Village Voice is a community newsletter produced and published four times each year by the Hahndorf Community Association for all residents, organisations and businesses located in the town of Hahndorf, South Australia. Editor Stephen Mooallem said the roughly 500,000 pages of Voice archives would remain for the time-being “a state-of-the-art analog experience. What happens next for the Village Voice could represent a bellwether for the rest of the publishing industry looking toward an all-digital future. “So enough with the eulogies for Rolling Stone and the Village Voice, two relics demolished not by the internet but their own narcissistic, congenital nostalgia,” Callahan crowed. While many mourn the Voice’s physical passing, others have been less charitable.Ĭontrarian New York Post columnist Maureen Callahan wrote that the changes at the Voice and the sale of Rolling Stone meant post-war baby boomers were finally releasing their “chokehold on American culture”. The images include the infamous denizens of the downtown realm – William Burroughs (with sword), the Beastie Boys, Madonna, Jack Kerouac – while cartoonist Steve Brodner reminisced: “This is journalism – authentic, fearless, two-fisted, pure.” In the final edition, a photo section celebrated the photographers and writers who “looked out at the rest of the world from south of 14th Street”. In severing the Voice from its physical existence, owner and publisher Peter Barbey said the 62-year old print publication had been “a public forum for ideas and a cultural touchstone for the progressive thought and envelope-pushing aesthetics that defined New York”. Michael Musto, the longtime nightlife columnist, marked the occasion with a return of his “La Dulce Musto” column.īy mid-morning on Thursday, many of the publication’s distinctive red distribution boxes were empty, copies collected up by souvenir hunters. The 176-page issue features a 50-page portfolio of journalistic luminaries who helped define the publication, including Voice co-founder Ed Fancher, theater critic Michael Feingold and film critics J Hoberman and Amy Taubin. Photographed in a salute, the image of Dylan was taken in January 1965, near the old offices of the Voice.
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